Thursday, November 30, 2006

SIT MAT38 Blog


Recently, I've been learning about various approaches to teaching languages and the guiding principles behind each specific approach.

As I was looking into one approach, it occured to me how much emphasis and value I put into the concept of community. I've come to realize that 'community' is very important to me everywhere and I go, and my actions reflect this in different ways.

In the same vain as the Meet the MATs podcast I started earlier this year, which has slowed down recently, my newest project is a team blog for all my classmates.

The SIT MAT38 blog is now up and running. Hopefully, in the coming months as everyone goes out into various corners of the world for their internships, this blog will give some interesting insights.

http://sitmat38.blogspot.com/

"Never doubt that a small group of thoughtful, committed citizens can change the world. Indeed, it is the only thing that ever has." Margaret Mead

Monday, November 20, 2006

Musicovery : interactive webRadio


This is a mash up between Pandora & MusicPlasma:
Musicovery : interactive webRadio

Happy listening!

Wednesday, November 15, 2006

Multiple Intelligences

I'm currently doing research about Howard Gardner's theory of multiple intelligences and how they apply to an ESL/EFL classroom.

I came across this 15min clip on Google and thought it's really interesting. It concentrates more on the emotional aspect of intelligence, but if you're in the field of education it's worth taking a look.


Sunday, November 12, 2006

Learning Log Pt. 2

This is an email I sent a colleague in Japan as part of a school assignment. I'm trying to retain my sense of humor as I wade through years of linguistic theory, and I think it's working. My teacher loved these analogies!

Dear Mrs. Keiko,

I hope you are doing well! It's time for me to write you another email for school, so I hope you don't mind. I want to tell you about some of the things I am studying, but I'm worried it might be difficult to understand. If you have any questions, please ask me and I will try my best to answer them. I hope this will be a good learning experience for both of us!

In my Second Language Acquisition (SLA) class, I have been studying about many theories for language teaching. In class, we recently had a very fun assignment to summarize all the various theories from the past 50 years using metaphors. My classmates all presented very interesting metaphors, but I want to share my musical themed presentation with you.

In the 1950s & 1960s language learning was characterized by a theory known a Behaviorism. Linguists thought that learning a language was like learning anything else; it's a formation of habits based on stimuli and responses. This is very similar to the "Call & Response" technique we used in Jyushiyama JHS. The teacher is always the center of attention and the students listen and repeat.

The metaphor I used to describe Behaviorism was an album by James Brown. He was a very famous musician in the '60s because people could not take their eyes off him. He was the center of attention and he conducted his band and the audience with call & response techniques.

In the 1970s, a linguist named Corder began studying students' errors and a new theory called Error Analysis was born. This theory noted the fact that many errors by students did not originate from their native language. For example, Spanish and English have very similar plural tenses, but Spanish speakers often forget to add the plural marking when speaking English. Linguists could not understand where these kinds of errors were coming from.

To associate the Error Analysis theory I used Led Zeppelin's first album, which has a famous picture of the Hindenburg crashing. To me, aside from the fact that the Hindenburg was a major error in and of itself, Led Zeppelin's music was based on electric blues, but it was full of feedback, and listeners were baffled at where this new genre, dubbed heavy metal, came from.

In the 1980s, a linguist named Krashen put forth a theory about comprehensible input. Comprehensible input is defined as "second language input just beyond the learner's current second language competence." This is more commonly referred to as "i + 1." It claims that if a student is studying something too easy or too difficult, it will not be useful for learning, but if the input is slightly higher, the student will be intrigued and want to learn.

This was my favorite metaphor. I used Michael Jackson's "Thriller" album. Michael Jackson was the first pop star in the '80s to take traditional musical input (audio) and add a visual component (video). By adding a new aspect to music, he captured the world's attention and intrigued millions.

As language learning moved into the 1990s, a new humanist approach started to take hold. Linguists continued to build upon theories explored in previous decades, but they started looking into more social, cultural, and psychological variables. More emphasis was put on the learners individual characteristics like motivation, personality, and personal learning style.

To capture this refined humanist approach, I used a CD by a band called the Flaming Lips. Their album "The Soft Bulletin" was a symphonic pop album created by modern technology melding synthesizers with guitars to make blissful melodies. All the while, the humanity of the album comes through loud and clear because the lyrics are about basic human emotions like love and loss and the beauty of life.

Now in the 21st century, my teacher says, "we're wearing a lot of hats." Linguists tend not to adhere to any one specific theory, but to a multitude of possible approaches centered around the learner.

To represent this all-encompassing idea, I brought a DVD called "1 Giant Leap." I used this because it's a fusion of all kinds of music from all over the world, spoken word, and very powerful visual imagery. It's presented in a surround sound mix for home theaters, so the listener really is encompassed!

I hope this was informative for you, and I look forward to reading your response. Again, if you have any questions, please feel free to ask me.


Take care,


heyhey
Just so you know, my teacher asked to borrow the Lips CD and the Giant Leap film!

Saturday, November 11, 2006

Brian Eno: Let there be Light


Apple - Pro - Profiles - Brian Eno, p. 1

Brian Eno paints with light. And his paintings, like the medium, shift and dance like free-flowing jazz solos or elaborate ragas. In fact, they have more in common with live music than they do with traditional artwork. “When I started working on visual work again, I actually wanted to make paintings that were more like music,” he says. “That meant making visual work that nonetheless changed very slowly.” Eno has been sculpting and bending light into living paintings for about 25 years, rigging galleries across the globe with modified televisions, programmed projectors, and three-dimensional light sculptures... Cont.

www.77millionpaintings.com

Wednesday, November 01, 2006

Burn Your Pants & Dance!



As the winter weather set in, I earned a reputation around campus because I advocated everyone at SIT burn their pants & dance at a bonfire party.

This may sound like a crazy idea, but there was logic behind my lunacy, and I just submitted this essay to our school paper in order to explain myself.

Why I Burned My Pants (And Danced)

Over the past few weeks, I conducted a social experiment on the campus of SIT called "Burn Your Pants & Dance." I advocated students burn their pants at a bonfire party, and now, after a few days of reflection, I want to explain why.

I love SIT; I love the various people. I revel in the diversity and knowing that this campus and its myriad of personalities have the potential to make a deep positive impact on the world. This idea alone helps me wake up for my 8:30am classes.

With that said, I feel it is necessary to address an underlying aspect of our campus. Everyday we send emails to inform about various religious holidays, sexual orientation parties, and immigration action meetings. These are all very serious topics. In some parts of the world these are a hotbed of discussion that create major turmoil and it’s just the stuff piling up day-to-day in our email Inbox! This is the reality we live in at SIT.

In an effort to combat the level of daily seriousness, lighten the mood, bring some kind of balance to our campus, and shed the proverbial PC layer that keeps building up, I sent, what I thought, was a humorous email. I advocated that everyone burn their pants at the next bonfire party. Burning pants, to my knowledge, does not infringe on anyone's religious beliefs, sexual orientation, nor does it have anything to do with immigration. It simply targets the opposite end of the contextual spectrum, and if you feel so inclined, it could be seen as a symbolic gesture.

The reactions from campus I received for doing this ridiculous thing are very interesting to me, and I actually feel I learned a lot about diversity and acceptance. I can separate the responses into three contrasting categories that I call the Partiers, the Questioners, and the Silencers. The Partiers' reaction was the most entertaining to me. They just laughed at me, gave me high fives for doing something silly, pointed and yelled in unquestioning solidarity "Burn your pants!"

The reaction of the Questioners was a little more interesting to me. They laughingly approached me and asked, "You want me to do what!?" "Why do you want me to burn my pants?" To them, I tried to explain the idea of a group of people working towards world peace standing around a bonfire in their underwear seems like a hilarious concept, and one I want to put into action because of the novelty. Can you imagine sitting in a conflict transformation class, looking over at your classmates during an intense debate, and realizing they were standing around in the cold in their underwear with you last week? It would have to put a different perspective on things, not to mention the bonds and the memories that would be formed by doing something so simple.

A slightly different, but frequent, response I heard from the Questioners was, "I like my pants, and I don't have any pants to burn," or, "I would rather donate my pants to the homeless." For this, I suggested they go to a thrift store, donate to the local economy, and buy a pair of pants that expressed who they were, or a pair they felt was begging to be burned because of the hideousness of the pattern. To me, this made sound sense.

The third and final reaction, from the Silencers, was one I least expected, but one that assisted my learning the most. I categorize this response as peoples' total silence or aloofness to my absurd request. I could overhear the Silencers whispering at lunch tables, "I can’t believe he did that. It’s completely inappropriate." The most hurtful response I heard came straight to my face. A person looked me in the eye and bluntly said, "I don’t get you." I do not know what that person meant, but it felt like they were trying to distance themself from me because they didn't understand where I was coming from. This reaction was most surprising because I didn't expect it on SIT's campus.

The heaviness of these reactions hit me like a lightning bolt as I was standing around under the stars in my underwear. If I got reactions like this from people on our campus for making and following through on a preposterous request about burning pants at a party, I can not imagine the reactions that someone might get for making serious statements they wholeheartedly believe in that might not fit with our societal norms.

Of all the places in the world that can benefit from political incorrectness, it is SIT. Our mission is world peace, but how can we work towards such a goal if we continue to shroud our language and actions in a polite, but lifeless, manner because we fear we might be misunderstood? I think we need to expose ourselves to draw out feelings that might be deemed incorrect, so we can look at them objectively, and analyze why we feel that way.

Bob Dylan once sang, "You’re invisible now, you got too many secrets to conceal." Only when we open up our secrets, speak, and act from the heart, will it be possible to see the true differences between everyone on this campus. When that happens, we can start learning how to approach the real problems that arise, and take what we learn away from this tiny microcosm on a hilltop in Vermont and apply it to the rest of the world.


Now get out there and take your pants off!!